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Dierks Bentley Brings The Heat From Nashville To The North!
Dierks Bentley is more than meets the eye, but what does meet the eye is pretty darn hard not to look at. His presence is warm, inviting and you feel like you just sat down with an old friend. Kat and I sat down to talk to the country music star when he was in Toronto promoting his new album, Modern Day Drifter. The lead track off the album,"A lot of Leavin' Left to do" made us wonder where the song came from. Pretty self explanatory to some, a guy leavin' a lot of women, but Dierks shared with us that his career is what takes precedence right now and that is where his focus lies. That and with all of his fans around the world, of course.Dierks has recently sold his house, "Being on the road so much, I am hardly in one place too long, it just made sense to sell". Another ode to leavin'. So with a house sold, no "nest", is there space for someone in your life or was there someone? Dierks doesn't hesitate to give us the low-down dirty shame, "Well, there was someone special in my life and I did ask her to marry me.
What I was hoping for was a three letter answer and instead I got two", Dierks chuckles, "Actually it was more like four letters and then two, but anyway she said no". It seems that he manages to roll with the punches, not looking back on his past too much and make a song or two out of it all. Luckily, Kat and I were nice and close to Dierks should he have felt the need to cry on our shoulder. But, no need, he doesn't miss a beat and we move onto where it all started for Dierks.
Well, the long and short of it is, I grew up in Phoenix, Arizona with a lot of country music around me, my dad loved country music. One day, I heard Hank Williams Jr. singing about, I think he has a song called, "Naked Women and Beer" and I thought that this guy was pretty cool. Kat pipes in, "So that was your inspiration then?" Dierks gives us a hearty southern laugh, "Yeah, but I also was listening to Alan Jackson and Garth Brooks too". "Oh so were you at the concert when he asked Trisha Yearwood to marry him?", Kat asks. "Yeah, I was and I thought that was pretty cool and it was kinda nice to see that", says Dierks. Dierks continues on to tell us that it was many musical artists that influenced him to keep going. That and the fact that many people who heard him sing would say that he had a good voice. So Dierks took that as a good sign, took it with him and his guitar to Nashville when he was 19 yrs old. Dierks goes onto say, "Nashville is the place to be if you really want to make any head way as a country artist, So that is where I moved to."
Being so young and on his own, Dierks took just about any job he could get his hands on and played at any gig or venue he could. He even had a job at TNN, but stayed so below the radar that everyone just kind of leaves you alone. "Often times if someone would pass me by in the copy area or something, I would just be (ughh, ahhh) and most people would just leave you alone. Act frustrated and most people just stay away from you", chuckles Dierks."So that's how you would support yourself then," says Kat."Pretty much. That would give me my paycheque and I would play and write songs at night", Dierks lets out a sigh and eases back into the couch.
It is those very early years that has given him the discipline that drives the machine of Dierks Bentley. "I just dug in my heels and kept working!", Dierks continues on to say, "it's all about the music". www.dierks.com for more of that music, tour dates and press.Well, Dierks Bentley made Kat and I love country music a little bit more. His performance later that evening at CLUB 279 HARD ROCK CAFE, Toronto, made us go out and purchase the album, Now, even if you haven't caught Dierks Bentley in concert, no doubt you will soon, but in the meantime go out and buy his album- I am sure you will love him, I mean country, a little more!
For More Log onto: www.sugarcainentertainment.com
Orlena Cain - Entertainment Journalist for Sugarcain Entertainment.com An all female based E:Zine from Toronto, Ontario-Canada
Pakistani Pop Music
Pakistan is blessed with talent and when we talk about Pakistani Music, you can never stop picking up one of the best Pakistani pop song uptill now because there are number of such hit songs nobody can judge the best one in past decades such as "Dil Dil Pakistan" , "Huwa Huwa", "Mehndi ki Raat", "Na Kaho", "Dil Haray", "Ankhain Milanay Walay", "Wakt", "Neeli Neeli Ankhain", "Jaisay Chao Jeo", "Garuj Burus", "No More", "Ankhoun ki Sagar", "Na Tu Aigi", "Addat" left the audience agape and many more. Our artists' are popular all over the world. Many new talented artists in Pakistan are still working hard to bring quality Pakistani music.
New Age Piano Playing and the Sustain Pedal
There are 3 pedals on most pianos. The one on the left dampens the strings and makes the sound come out softer. The one in the middle - I have no idea what that one does, but the one on the right - the sustain pedal - this one is the pedal I have my foot on when I play the piano.
Zen and the Art of New Age Piano
We all want to be in the moment. That's where real transformation takes place. For some, walking gets them there. Others like to play sports or watch movies. For me, it's playing the piano. When I'm in the moment, letting the music speak, it's like the world is new again.
Good News for the Musically Untalented
Have you ever been told that you were good at something but not good enough to make it a career or life ambition? Especially with music, if you're passion is music you are hopelessly outnumbered right from the beginning. "You better have a back-up job" or "Don't put all your eggs in one basket" are common refrains heard from well meaning adults who inadvertently had their dreams crushed out of them.
Music licensing can be a very confusing subject. My intent with this article is to give you enough details on what music licensing is and what are your rights to use music in advertising and / or video productions. A few months ago I was contacted by a company that was celebrating 20 years in business. They wanted to put together a radio commercial that highlighted their celebration. Their request was to use Kool and the Gangs song Celebration in their radio spot. I explained to them in order to do this they would have to obtain a licensing which would cost them quite a bit of money. This was not an option for them due to their limited budget and ultimately they told me that they "went another direction" with their advertising. If I had agreed to use this song without obtaining a licensing I would have put both of our companies at risk. It was not worth the risk just to make a sale. Beware that there are unscrupulous production companies that will do this type of illegal activity so the best protection you have is knowledge. The copyright law protects writers of music by giving them exclusive right to their music. Once a piece of music is under copyright protection it is illegal to use it without getting permission to the owner of the copyright. There are actually two types of copyrights in the United States. One is the actual copyright which is denoted with the familiar C with a circle around it. This protection is for the actual melody, lyrics and arrangement of the music. The copyright is usually owned by the actual artist that wrote the piece or their publishing company. The second form of copyright is the actual recording itself. This is denoted by a P with a circle around it. This protection covers the performance of the song caught on tape or digital media and released on CD or other media. Many times a record or production company will own this performance right. If you want to use a song in a production, you need obtain a Master Use license from the owner of the copyright and a Synchronization license (often called a sync license) from the owner of the performance of the song. The fees for synchronization licenses vary greatly. Low-end TV usage (music is playing from car radio in a scene) can cost up to $2,000. In a film, the fee may be as high as $10,000. A popular song is worth more, possibly $3,000 for TV and $25,000 for film. A song used as the theme song for a film might get $50,000 to $75,000. Commercials can get even more money. Fees for a popular song can range from $25,000 to $500,000 plus per year. The typical range for a well-known song is $75,000 to $200,000 for a one year national usage in the United States on television and radio. I think you will agree with me that that is allot of money and usually way over budget for many video and radio productions. To get around these outrageous fees, music production companies sell buyout music. When you purchase a buyout CD you do not need to obtain a licensing to use the music. You can use the music hassle free and at a much lower cost. Buyout music or royalty-free, as it applies to my products, means that for your one-time purchase price, you can legally use the music in your productions for life of ownership. All copyrights of the music remain with Zebra Music LLC. My jingle licensing agreement allows a protected area of 200 miles. By doing this no other companies in a local market will have the same jingle. Many other production companies offer a similar buy out music licensing. I would advise you to read the licensing agreements with other production companies and ask questions if you have concerns. Network broadcast and international broadcast of buyout production music is cleared through a performance organization (like BMI or ASCAP). The revenue that these songs produce when they are aired is paid directly from broadcast station licensing, NOT from you as a producer. These performance organizations then in turn pay each artist based on the amount their song or songs were aired on the radio or TV. I hope this article has cleared up any confusion or questions that you have had about copyright and music licensing.
Do you really need college to learn to play music?
Music courses are a great way to learn about virtually any area of music; history, theory, and musical instrument instruction -- you name it and somewhere music courses specialize in it. Though generally found through colleges, universities or high school programs, music courses are also offered via one-on-one instruction with a private teacher or community-based workshops. Some churches even offer music courses as a complement to their choirs; the music courses may be offered to the general public, but they're often geared toward the choir members and congregation.
5 Ways to Enjoy Your Music Files
OK, say you've got one thousand of your favorite MP3 songs sitting in your hard disk. What's the best way to enjoy those files? Most of us probably will use the Windows Media Player to listen to those files. but did you know there are other more innovative and interesting ways playback MP3, WMA and WAV files?
Discover The Perfect Place To Perform
Once you know what your Unique Selling Proposition is as a musician (we covered this in the last issue), it's time to ask yourself what kind of venue you want to be letting those talents out in. This is the process that will help you determine your "Perfect Performance Venue" so that you don't waste your energy and efforts searching for performances in the wrong area!
Setting Up In-House Retail Sales
Now, that you are familiar and likely connected with online music sales sites, such as CD Baby, or combination online/offline retail sites, such as The Orchard, you are probably comfortable in having your music distribution and sales fairly covered.
How to Create Interesting Textures
A lot of new age piano music consists of repeating patterns, or textures in the left hand while the right hand improvises a melody. This approach is really a good one! It frees you up to create in the moment. First you decide what chord or chords you'll be using in the left hand. You then create an ostinato or arpeggio that lays the foundation for the entire piece.
Five Secrets to Playing in the New Age Style
1. Learn how to Improvise
Eminem: A Social Commentator
In an interview given to Musik Magazine in 2000, Eminem comments some of his lyrics:
Interested in Improving the Sound of Your Stereo? Consider Records
Introduced in 1982, the compact disc was intended to provide better sound than the 40-year-old long-play record album, popularly known as the LP. Using a laser rather than a diamond needle for playback the compact disc was smaller, more convenient to use, and less susceptible to damage than the LP. A bonus was that the format was said to offer "perfect sound forever." "Forever" isn't that long these days; improvements in digital sound have come along in the last twenty years and the music industry introduced two new formats this decade that are designed to improve upon the "perfect" sound of the compact disc. Those formats are the Super Audio Compact Disc (SACD) and DVD Audio (DVD-A.) Over the years, various audio publications have criticized the sound of compact discs, describing the sound as "harsh", "brittle" or "sterile" compared to the sound of the LP. After years of research, SACD and DVD-A were introduced several years ago and introduced sound that was said to be cleaner and more natural than that of the compact disc. In addition, these formats offered multi-channel sound, and artists such as Pink Floyd offered special multi-channel versions of their albums to entice sales. It hasn't worked, and sales of both formats peaked in 2003. What is interesting, however, is that both formats still trail the LP in sales!According to the Recording Industry Association of America, the combined sales of SACD and DVD-A were less than those of the LP in 2004. The music industry is in a slump at the moment, and sales of all formats were down last year. But sales of LPs were down 13% from 2003, while combined SACD and DVD-A sales were down 33%. It would appear that the new formats are failing, even though they are said to be superior to the compact disc. The LP, on the other hand, continues to have steady sales. While the major labels are still somewhat hesitant to release new product in LP form, labels that specialize in reissuing older material, such as Classic Records, are releasing as much product as their manufacturing capacity will permit. It is worth noting that much of this reissued product comes in the form of high-quality, limited edition LP pressings that often carry premium prices of up to $50 per title. Why are records continuing to sell while the new formats fail? There are several reasons why records are outselling the new, "superior" digital disc formats: Format wars. Like VHS vs. Beta in the 1970's, the SACD and DVD-A formats are largely incompatible. While players have been introduced that will play either one, most players play either one format or the other. Worse, neither one will play on a traditional CD player. You must replace your player to play either one.Multichannel sound is difficult to use and requires purchasing new amplification equipment. SACD and DVD-A both have multichannel capabilities, but neither format's players have digital outputs. Both must be connected to amplifiers or receivers with special SACD or DVD-A analog inputs. Most of the music fans who preferred the sound of records to compact discs still prefer the sound of records to either SACD or DVD-A. Most will agree that while the new formats sound better than compact discs, the unique "digital" sound of compact discs is still there. Many listeners aren't interested in sound quality. Arguments can always be made about the sound of compact disc vs records vs SACD vs DVD-A, but millions of consumers are content to listen to music in MP3 format on portable players. MP3 format is inherently inferior in sound quality to all of the other formats, but MP3 players are selling as fast as companies can make them.The day will never come when records again become the dominant music format. The convenience of portable players for CD, SACD, and DVD-A discs and MP3 files outweighs the advantages in sound quality that records offer over those formats. Nevertheless, it appears that a small but steady market for records remains very real, and that that market exceeds that of the new "improved" SACD and DVD-A formats, which will probably soon go the way of the forgotten Elcassette, Minidisc, and 4 track tape formats of the past.
A Brief History Of Gibson Guitars
Gibson guitars have been around forever. It's funny, but although Gibson has produced some of the most amazing guitars in history, perhaps the company's largest contribution to music has been through their advancements in pickup technology. Gibson's first electric guitar the ES-150 was produced in 1936, and is still considered one of the best sounding electric jazz guitars in the world.
Suzuki Violin Vs Traditional Violin
The Suzuki violin method has come to dominate the way violin is taught in America and throughout much of the world. Mention the Suzuki violin method to music educators, and you will get a variety of responses. While it is common for some teachers to mix elements of Suzuki violin method with the traditional approach other teachers either love or hate the Suzuki method. Let's examine the Suzuki violin versus the traditional violin below.
Improvising On The Piano: Jazz Musicians Do It -- Why Not Other Styles?
Why jazz piano improvisation?
Repetition is the Key to Learning Something Deeply
Repetition is the key to learning something deeply. It works most effectively when you are isolating a small amount of material, because the object of your focus will be more specific.
Micing a Kick Drum
This months tip deals with micing kick drums.
Why You Cant Play Piano
It's really not your fault. You see, you've been taught that in order to play piano you need to first learn how to read music, and second, play other peoples music.
Are iPods Changing the Way We Listen to Music
They're everywhere, and not only are they everywhere, they look cool too. Since its launch in 2001, 10 million have sold and 8 million of those were in 2004. So welcome to the next generation. 8 tracks, records, cassettes, CDs, and now the iPod.
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